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Cottonwood Wood Print featuring the photograph Cottonwoods by Mark Forte

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

8.00" x 10.00"

Overall:

8.00" x 10.00"

 

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Cottonwoods Wood Print

Mark Forte

by Mark Forte

$146.00

Product Details

Cottonwoods wood print by Mark Forte.   Bring your artwork to life with the texture and added depth of a wood print. Your image gets printed directly onto a sheet of 3/4" thick maple wood. There are D-clips on the back of the print for mounting it to your wall using mounting hooks and nails (included).

Design Details

Cottonwoods from the largest cottonwood stand in the world blaze in autumn light of the Bosque in Albuquerque, New Mexico.

This image was... more

Ships Within

3 - 4 business days

Additional Products

Cottonwoods Photograph by Mark Forte

Photograph

Cottonwoods Canvas Print

Canvas Print

Cottonwoods Framed Print

Framed Print

Cottonwoods Art Print

Art Print

Cottonwoods Poster

Poster

Cottonwoods Metal Print

Metal Print

Cottonwoods Acrylic Print

Acrylic Print

Cottonwoods Wood Print

Wood Print

Cottonwoods Greeting Card

Greeting Card

Cottonwoods iPhone Case

iPhone Case

Cottonwoods Spiral Notebook

Spiral Notebook

Wood Print Tags

wood prints fall wood prints albuquerque wood prints tree wood prints cottonwood wood prints autumn wood prints bosque wood prints new mexico wood prints

Photograph Tags

photographs fall photos albuquerque photos tree photos cottonwood photos autumn photos bosque photos new mexico photos

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Artist's Description

Cottonwoods from the largest cottonwood stand in the world blaze in autumn light of the Bosque in Albuquerque, New Mexico.

This image was designed to be printed as a greeting card or small print. But you may still order in larger sizes if you wish.

About Mark Forte

Mark Forte

Many years ago, I received a Bachelor of Arts in Visual and Environmental Studies from Harvard College and a Masters of Architecture from the University of California, Berkeley. While subsequently working in architecture, I used photography to study buildings, details, and open places that make up our architectural environment. Gradually, I found myself drawn to the evocative and romantic qualities of my subjects. I realized that I could read the old, textured stonework of a Castilian castle or the faded dignity of a crumbling ancient wall like some well-worn palimpsest daring me to uncover its secret story. It has taken me over thirty years to understand that this, and not the architecture itself, was my real subject. Nothing...

 

$146.00

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