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Pergamon Greeting Card featuring the photograph Pergamon, Turkey - Temple of Trajan by Mark Forte

Boundary: Bleed area may not be visible.

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Pergamon, Turkey - Temple of Trajan Greeting Card

Mark Forte

by Mark Forte

$10.00

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The more you buy... the more you save.

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Product Details

Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Design Details

In this view, I have used the remaining portion of the peristyle of the Temple to Trajan and Zeus Philios to frame a view to the west. The Aegean... more

Ships Within

2 - 3 business days

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Pergamon, Turkey - Temple of Trajan Photograph by Mark Forte

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Greeting Card Tags

greeting cards turkey greeting cards pergamon greeting cards bergama greeting cards ruins greeting cards roman greeting cards temple greeting cards religious greeting cards trajan greeting cards corinthian greeting cards column greeting cards

Photograph Tags

photographs turkey photos pergamon photos bergama photos ruins photos roman photos temple photos religious photos trajan photos corinthian photos column photos

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Artist's Description

In this view, I have used the remaining portion of the peristyle of the Temple to Trajan and Zeus Philios to frame a view to the west. The Aegean Sea, though not visible here lies some 26 km beyond.

About Mark Forte

Mark Forte

Many years ago, I received a Bachelor of Arts in Visual and Environmental Studies from Harvard College and a Masters of Architecture from the University of California, Berkeley. While subsequently working in architecture, I used photography to study buildings, details, and open places that make up our architectural environment. Gradually, I found myself drawn to the evocative and romantic qualities of my subjects. I realized that I could read the old, textured stonework of a Castilian castle or the faded dignity of a crumbling ancient wall like some well-worn palimpsest daring me to uncover its secret story. It has taken me over thirty years to understand that this, and not the architecture itself, was my real subject. Nothing...

 

$10.00