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Cottonwood Metal Print featuring the photograph Cottonwoods by Mark Forte

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Cottonwoods Metal Print

Mark Forte

by Mark Forte

$166.00

Product Details

Cottonwoods metal print by Mark Forte.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

Cottonwoods from the largest cottonwood stand in the world blaze in autumn light of the Bosque in Albuquerque, New Mexico.

This image was... more

Ships Within

3 - 4 business days

Additional Products

Cottonwoods Photograph by Mark Forte

Photograph

Cottonwoods Canvas Print

Canvas Print

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Cottonwoods Art Print

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Cottonwoods Metal Print

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Cottonwoods Acrylic Print

Acrylic Print

Cottonwoods Wood Print

Wood Print

Cottonwoods Greeting Card

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Cottonwoods iPhone Case

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Cottonwoods Spiral Notebook

Spiral Notebook

Metal Print Tags

metal prints fall metal prints albuquerque metal prints tree metal prints cottonwood metal prints autumn metal prints bosque metal prints new mexico metal prints

Photograph Tags

photographs fall photos albuquerque photos tree photos cottonwood photos autumn photos bosque photos new mexico photos

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Artist's Description

Cottonwoods from the largest cottonwood stand in the world blaze in autumn light of the Bosque in Albuquerque, New Mexico.

This image was designed to be printed as a greeting card or small print. But you may still order in larger sizes if you wish.

About Mark Forte

Mark Forte

Many years ago, I received a Bachelor of Arts in Visual and Environmental Studies from Harvard College and a Masters of Architecture from the University of California, Berkeley. While subsequently working in architecture, I used photography to study buildings, details, and open places that make up our architectural environment. Gradually, I found myself drawn to the evocative and romantic qualities of my subjects. I realized that I could read the old, textured stonework of a Castilian castle or the faded dignity of a crumbling ancient wall like some well-worn palimpsest daring me to uncover its secret story. It has taken me over thirty years to understand that this, and not the architecture itself, was my real subject. Nothing...

 

$166.00

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